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Tag: The Glass Girl

The Voices of YA Tag

Tracey Dyck 22 Comments

I have been tagged by Lisa @ Inkwell for the Voices of YA tag! (Everyone go say hi to her. She’s awesome.) Truth be told, she tagged me a whole Y E A R ago, and here I am, finally getting around to it.

 

The Rules:

  • Thank the person who tagged you (thanks again, Lisa, and sorry for my tardiness!)
  • Link to the original creator (you can find it from Caitlin Lambert @ Quills and Coffee HERE)
  • Answer the ten questions
  • Tag at LEAST two other YA writers/bloggers
  • Share with the hashtag #VoicesofYA




[graphic from Caitlin Lambert]

1. What draws you to YA?

 

The emotions! Everyone knows teenhood is fraught with them, and so is young adult fiction. Now, I’m not a big fan of melodramatic angst–that can get ridiculous fast–but I am in love with the full range of excitement, confusion, doubt, passion, and fear that can be found in teenaged protagonists.

Of course these things are also present in adult fiction, and even to a certain extent in middle grade fiction . . . but YA is where it really shines. It’s the bridge between the carefree days of childhood and the responsibility of adulthood. It’s when a person starts to define who he or she is. It’s one big cocoon of transformation, and that’s what I love about it.

 

I may be older than most YA characters by now, but that doesn’t make their struggles any less relevant. If anything, I think teens are just more honest about the hard things, and it’s the adults who try to hide behind masks. I hope I always stay young at heart.

 

2. Describe your writing process. Do you like outlines and structures, or seeing where the story takes you?

 

Both! When I started out, I wrote by the seat of my pants, content to see where the story wandered. (Outlining? Pfft, that was for school.) That worked until I started writing actual novels and got very stuck. Then I switched to outlining–the full Roman numeral chapter-by-chapter method–and that worked until the plot and characters took on lives of their own and refused to listen to my plan. I tried bending them to my will, but they clammed up and became wooden and boring.

 

So now I’m a hybrid, neither a pantser nor a plotter. I like a good roadmap with all the important signposts in place, but I want the freedom to figure out the road in between as I go. Whenever the space between signposts (a.k.a. bullet points in a Word doc) is too big and I get lost, I step back and re-evaluate, usually filling in a few more plot points before I keep writing.

 

That’s what works for me now, but who knows? That could change one day. Every book is a new adventure, and my process keeps evolving.

3. How long have you been writing? Where are you in your journey?

 

I have been writing in some form or another since I was six or seven, when a love of books and the encouragement of my first grade teacher overflowed into the act of writing my own tales.

 

I have been writing novels since I was twelve, when I started The Prophet’s Quest, which, at the time, was a thinly veiled Chronicles of Narnia / Dragons in Our Midst crossover.

 

Since then, I wrote the sequel (The Prophet’s Key) and started the third book in the series (untitled). I edited TPQ, the first book, numerous times–first on my own and then with the help of amazing mentors (you know who you are!)–when I was sixteen. That’s what really jumpstarted my writing craft. I also started rewriting TPK, the second book.

I wrote four novella-sized retellings of fairy tales in between those edits/rewrites: The Glass Girl (Cinderella), Blood Rose (Beauty and the Beast), The Brightest Thread (Sleeping Beauty), and most recently, Mirrors Never Lie (Snow White). All of these were for contests hosted by Rooglewood Press, and I’m still delighted whenever I think about TBT and MNL placing as finalists.

 

Because I fell irreversibly in love with The Brightest Thread, and because it had so much room for more story, I expanded it into a full novel last summer. After taking a break for college, I’m now editing this special story.

 

But I guess that’s my writing history, and the question asked about the journey. So where am I right now? I’m honing my craft, working to sharpen my plotlines and smooth my characters’ rough edges. I’m devouring all the education on writing I can, from blogs to books to conferences to conversations with real-life authors. I’m researching the publishing industry. I’ve been putting my work out there in little ways. And right now, I’m slowly but surely researching literary agents and preparing myself to query in earnest.

 

This author thing is a long road, and I refuse to put timelines on it anymore, but I honestly do feel like I’m a lot closer to publishing than I’ve ever been.

 

(None of this is supposed to be an “oh, look at me!” statement. Just sharing my journey: where I’ve been, where I am, and where I dream of going.)

 

4. What do you need to write? Coffee? Music?

 

Neither is a necessity. I like coffee, but most days tea is more appreciated. I love music, but it’s been a long time since I wrote to it consistently. All I need is a spot on the couch in the living room, my laptop, maybe a notebook, and relative quiet. (People can be talking, but I can’t have a movie playing in the background.)

 

In high school, I would hole up in my room for hours at a time with Narnia soundtracks on loop, and that’s how I wrote. But since the adult life takes me away from home a lot more often than the homeschooled-teen life did, these days I like to camp out someplace in the house that’s closer to my family. I guess I’ve gotten used to having distractions people around?

 

5. If you could offer one piece of advice to another writer (other than “don’t give up”), what would it be?

 

If you want to publish, you’re going to need to be in this for the long haul. Even if you don’t want to publish, and your dream is to share your stories with friends and family, you still need to see the long game. Because writing a book is not a fast process. Publishing it is an even longer process.

 

See question #3? I’ve been writing seriously for ten years, and only now do I have a novel I think might be publishing-worthy. (And it’s not even done. Revisions take time.) As a young writer, I dreamt of being a breakout bestseller at age sixteen. All those other authors with stories about hundreds of rejections and years of waiting? Ha, that wouldn’t happen to ME. Fast forward to today, and I’m honest-to-goodness glad it’s a longer journey than I once thought. Sixteen-year-old me was not ready. That book I was writing at the time wasn’t ready. Great gobs of gravy, I’m not sure if I’m 100% ready now, but I’m a lot closer than before. Your journey will look different, but be willing to see the big picture and Take. Your. Time.

 

The thing is, if you’re serious about this, you’re going to need patience by the truckload. Determination, humility, a willingness to learn, and courage help a lot too. Writing is easy. Writing well takes a lot of practice and a lot of guts. And publishing? Well, I’ll let you know how that goes! See the big picture. It will keep you from getting discouraged when you feel stuck.

 

6. What book still has you reeling from its plot twist?

 
It’s so hard to pick just one! But since we’re talking about YA, I’ll point to one of my favorite YA fantasy books, The False Prince by Jennifer Nielsen. A number of my Goodreads friends say that they saw the twist coming, but for some reason I did not. Maybe knowing there is a twist makes it easier to see coming?

Anyway, it surprised me! Suddenly the plot clicked in a way it hadn’t before, and niggling little things that had bothered me started to make sense. It was epic. Go read it. The rest of the Ascendance Trilogy is a lot of fun too.

 

7. What books are you most anticipating for this year?

 

FAAAAAAAWWWWKKKEESSSSSS.

Ahem. I’ve only read one book by Nadine Brandes so far, but I am ridiculously excited about her historical fantasy coming out next month! Because hey, it’s historical fantasy, and I do not have enough of that wonderfulness in my life. Also it involves the Gunpowder Plot (y’know, Guy Fawkes and blowing up the king and all that jazz?). And it involves masks. And magic. And the cover is gorgeous. And Nadine Brandes wrote it. So I am all the excited.

 
I’m also looking forward to reading A Thousand Perfect Notes, C.G. Drews’ recent debut! It’s Cait from Paper Fury, people! Our very own queen of the universe! So I’m very happy for her and can’t wait to have my heart broken by her book.
 

Some other books that have been out for a while, but are among the “highly anticipated” books on my TBR this year . . .

 

The Scorpio Races and All the Crooked Saints by Maggie Stiefvater. The Forgetting by Sharon Cameron. Wanted: a Superhero to Save the World by Bryan Davis. Stars Above by Marissa Meyer. By Darkness Hid by Jill Williamson. The Evaporation of Sofi Snow by Mary Weber. (I’d better stop.)

 

8. In your opinion, which YA book/series has the most unique premise?

 

Excuse me? How am I supposed to answer that?

 

Pardon me while I go stare at my Goodreads shelves.

 

. . .

 

Okay. I’m back. The problem is that all my favorites have something unique about them, whether it’s fairytales in space (The Lunar Chronicles by Marissa Meyer), the non-burning of the Library of Alexandria (The Great Library series by Rachel Caine), or a spiritual journey in the midst of a creepy small town (Solitary Tales by Travis Thrasher).

 

But I honestly can’t think of anything quite like the mashup of awesomeness found in the triplet series Dragons in Our Midst / Oracles of Fire / Children of the Bard by Bryan Davis. Where else can you read about dragons, Arthurian legend, Biblical history, and sci-fi technology in one storyworld? These books span Earth across literal millennia, plumb the depths of Hades, ascend to Heaven, and venture into realms straight out of the author’s imagination. Rereading them this year has been awesome.

 

9. What is your all-time favorite quote from YA?

 

I’m no good at these “all-time favorite” questions, so I’ll cop out and offer you two quotes I like–one amusing and the other deep.

 

First, from Winter by Marissa Meyer:

 
“Did you see any rice in there? Maybe we could fill Cinder’s head with it.”

 
Everyone stared at him.

 
“You know, to . . . absorb the moisture, or something. Isn’t that a thing?”

 
“We’re not putting rice in my head.”

 

Second, from my current read, Enoch’s Ghost by Bryan Davis:

Sapphira held the brick with the red diode close to the photometer. “You can’t do this alone, Ashley.”

 
She released her hair, leaving a bloody smear. “I couldn’t reach Larry. I already tried.”

 
“I don’t mean Larry.” Sapphira’s eyes once again blazed. “I think you know exactly what I mean.”

 
Ashley looked up at her and stared. “If you mean have faith, that’s what I’m trying to do.”

 
“I know you’re trying.” Sapphira laid a hand on Ashley’s cheek. A ripple of fire rode along Sapphira’s forearm and crept into her hand. “You have been trying all your life.”

 
Ashley closed her eyes. Heavenly warmth radiated into her cheek and flowed throughout her body, loosening her muscles and draining her tension.

 
“Relax, Ashley, and let Jehovah work through you. Faith asks that you let his power flow, not your anxiety, not your fears, and not your sweat. His power.”

 

10. What books do you most hope will have a movie adaptation?

 
Ooooh, that’s a good question. My one caveat with this list is that these movies have to be made really well or not at all. Ha.
 
  • The Lunar Chronicles // Marissa Meyer
    • If they get the casting right and use top-notch special effects, this could be epic!
  • Solitary Tales // Travis Thrasher
    • These would be so. stinking. creepy. Especially with a good composer for the soundtrack!
  • Rangers Apprentice // John Flanagan
    • Again, good casting, please! But how fun would it be to see these adventures on the big screen? I think a TV show would work a lot better than a movie series in this case.
  • Illusionarium // Heather Dixon
    • Because I just want a steampunk movie.
  • The Montmorency books // Eleanor Updale
    • Set in Victorian London, with the main character living the dual life of a gentleman and a criminal, this could be a fun set of movies. It’s been forever since I read them, but now I want to reread . . .
  • My own books!
    • Come on, every writer dreams of this, right?
 

Thanks for the tag, Lisa! It rescued me on a day my brain didn’t want to cooperate with blogging, and it was fun to boot.

 

I hereby tag:

 

Chloe @ Faeries and Folklore*
Kaitlyn @ Animal Jam Jumble*
Hanna @ Taking My Time
Josiah @ The Steadfast Pen
Savannah @ Inspiring Writes
Victoria Grace Howell @ Wanderer’s Pen
You, if you want to steal it!

*You both are YA readers, not necessarily YA writers, but go ahead and tweak the first five questions to suit yourselves. 🙂

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Lessons Learned from Rooglewood Press Contests

Tracey Dyck 42 Comments



The journey began in 2013.

It was summer when I spotted a pretty novel in the local bookstore. The cover was deep blue, depicting a dragon’s face with the image of a young maiden in its eye, the girl gazing thoughtfully into the water. The back of the book looked interesting too. But . . . Aethelbald? The love interest was named Aethelbald? It sounded odd, and being the wary book-buyer I am (or was; I’m getting alarmingly good at purchasing books these days), I resolved to check it out at the library before I invested $20.

That book was Heartless by Anne Elisabeth Stengl. And as often happens with mental notes-to-self that are never committed to paper or phone notes, the promise to seek out the book later quickly slipped through the cracks of my memory. Until one day in late November, I rediscovered Heartless on the library shelf. “Why hello there,” I said to myself. “I do believe I forgot about you. Good thing you popped up again.”

Image result for heartless anne elisabeth stenglVery good indeed, I soon found. It was a snowy November Sunday when I first cracked that book open. My family and I were Christmas shopping. The opening tale of young Una and Felix’s adventures–the bridge, the sibling dynamics, the talking cat–drew me in so fully I couldn’t help but twist around in my seat as we drove along and read funny excerpts to my siblings.

I devoured the story cover to cover. Not since beloved favorites like Chronicles of Narnia or Bryan Davis’s Dragons in Our Midst had I been so captivated with a perfect elixir of wonder, magic, tension, and heart-wrenching hope. Heartless was an instant favorite, oddly-named Aethelbald and all.

I don’t think I’d even finished the book before I Googled its author, curious to see who she was and what else she’d written. Lo and behold, there was a whole Tales of Goldstone Wood series! Not only that, but Anne Elisabeth had a blog full of interesting archives–and her most recent posts talked about a writing contest called Five Glass Slippers, held by Rooglewood Press. Curious, I investigated and found that entrants were to write creative retellings of Cinderella, five of which would be published in an anthology together.

The wheels started spinning. Apparently, the contest had been announced back in June, and the deadline was December 31st. Just one month away. Accepted story length: 5,000 to 20,000 words. “Well,” I said to myself. “That’s not that long. I’ve written a novel much longer than that.”

So I made a crazy decision. This young writer, with twelfth grade studies on her plate and writing speedometer typically set somewhere around tortoise mode, decided to give it a go.

I have since entered all four fairy tale contests hosted by Rooglewood Press, and each one has played an important part in my writing journey. So today I’m going to share with you the lessons I’ve learned.

(Thanks to Esther @ The Pen of a Ready Writer for sparking some of these ruminations!)

Five Glass Slippers – 2013/14

I wrote like mad all that December. I’d never written a retelling of a fairy tale before. I’d never written a novella before, either, just short stories and a couple novels. But digging into the original Cinderella tale was a whole lot of fun! The classic elements–orphan waif, evil stepmother, nasty stepsisters, fairy godmother, glass slipper, and nameless prince–I threw into a bottle with a cup of creativity and a sprinkle of plot twists, then whipped it into a froth.

The result? The Glass Girl, a messy story about a glassmaker’s daughter turned into glass herself by her stepmother, an evil Mystere pulling the strings in a power conspiracy.

Blunders Made

Plot holes: Oh, the plot holes! I cringe now to think of the gaps I didn’t catch in the rush of getting my story submitted in time.

Insta-love: Yep, Ella met Dominic, a lord’s son, and proceeded to fall in love with him that evening. Within twenty-four hours, she was confessing a deep secret, crying on his shoulder, and saving his life Tangled style. Ella and Dom still have my affection, but if I ever rewrite this thing, I’ll make sure their affection takes a little longer to develop.

Weak writing: It wasn’t bad quality considering where I was as a writer at the time. In fact, I discovered something about my own voice while writing The Glass Girl. (More on that in a minute.) But I’ve grown since then. And looking back? I’m cringing again. I wasn’t even sure at the time if novellas were long enough to merit having chapters (news flash: they are), so I wrote one big, long story split up only by scene breaks!

Lessons Learned

Writing fast: There was only a month to write and edit 20,000 words. Professional authors usually accomplish that many times over in a month, but I’d never worked that fast before. I learned a good lesson in butt-on-chair-fingers-on-keyboard that December!

Cutting words: I ended up going a little bit over the word limit, so in my feverish editing, I had to do some trimming. See, I tend to write long. (Ahem, this post is a case in point.) But this contest provided me with valuable practice in cutting back.

Catching a glimpse of my voice: Writing teachers always talk about that elusive thing called voice, and quite frankly, I had not yet found mine. But Ella’s story, framed in a fairy tale, set in a fantasy world, and laced with emotion, provided me with an opportunity to fuse poetry and prose. Was my writing flawed? Of course, but that’s how everyone starts: in a mess. I caught a glimpse of what it was like to write the kind of imagery I’ve always loved.

Conclusion?

I didn’t win, but I learned to produce a story in short order, practiced putting myself out there, and had a really fun time doing it. There’s enough likable bits of The Glass Girl that it might be worth revisiting in the future.

image via unsplash

Five Enchanted Roses – 2014/15

When the second contest rolled around, I was ready for it! And let me tell you, I was so excited to find out that the chosen fairy tale was Beauty and the Beast, because it has long been one of my favorites. This time, I had the full half a year to ponder the original tale and spin a new twist on it. I decided to step a wee bit out of my fantasy comfort zone and write a contemporary . . . although in the end, it still had a fantastical flavor. (Apparently the fantasy genre won’t leave me alone.)

So Blood Rose was born: the tale of a young medical graduate stranded in the secluded mansion of a man who is much older–and deadlier–than he appears.

Blunders Made

Plot holes: The genre mashing of this story meant that my fantasy/sci-fi ideas had to have a real-world medical grounding. I did as much research as I could within the time limits, but in retrospect, I do believe I left a few shaky spots.

Somewhat unbelievable romance: While Emi and Will had much longer than twenty-four hours to get to know each other, I don’t think there was quite enough development between them. Emi should have been more reluctant to take shelter in Will’s mansion, and Will needed to exhibit a lot more positive character traits in order to outweigh all the red flags he was throwing up. (I mean, he is actually a good person, but that’s not always . . . ahem, obvious. He is, after all, the Beast.)

Lessons Learned

Plot holes again: Yes, those dreaded holes were actually a positive as well! See, about two-thirds of the way into the story, I wrote myself into the most difficult corner I had ever encountered. If I didn’t find a way out, Emi was going to die, and then Blood Rose wouldn’t have an ending. Hemmed in by medical facts that I couldn’t change, I had to either find a real-world loophole, or scrap the plot and start over. So I prayed about it. And I prayed some more. And then I went back to researching. You know what happened? I found a little-known medical tidbit that saved Emi’s life and the story itself, and was able to write my way out of that corner! So this lesson is two-fold: trusting God with my writing, and persisting through the tough parts.

Friends: I found a lovely group of writers to beta read this story for me as I wrote it. (I guess some people call that alpha reading if it’s the first draft, right?) Through our back and forth interaction, I built some amazing online friendships which I still carry with me today! One of my readers, in fact, was also writing a story for the contest, and I got to be her beta reader at the same time. That story was called Burning Thorns. Anybody who peeks into the comments around here can probably tell that the authoress, Christine Smith, became a dear friend, as did several other sweet souls!

Conclusion?

I didn’t win Five Enchanted Roses either, but I still felt like a winner anyway. I loved my characters, loved my story, and had a blast sharing it in almost real-time with a group of fantastic betas. I also grew closer to God by realizing again that He really does care about my stories.

image via Pinterest

Five Magic Spindles – 2015/16

Confession: I wasn’t over-the-moon thrilled when Rooglewood announced the theme of the next contest was Sleeping Beauty. Maybe that’s because I didn’t watch the Disney movie as a kid, or maybe it’s because nothing could quite compare to my beloved Beauty and the Beast. But the more I pondered the original fairy tale of the princess trapped in an enchanted sleep, the more I got excited about all the possibilities!

The Brightest Thread, the journey of a princess walking the realm of dreams and a faraway prince whose dreams are more real than he knows, ended up being my favorite Rooglewood entry yet.

Blunders Made

Trying to fit a big story into a small space: This was more of a challenge than a serious mistake. Since my idea involved a long rivalry between fairy stewards, one hundred years of history between two nations, a curse and all the rules it entailed, and the development of a romance, I had my work cut out for me. Or rather, I had to literally cut out some of my work. If you’ve been around the blog long enough, I’m sure you remember me wailing about my first draft being 10,000 words too long!

Lessons Learned


Making every. little. thing. count: On that note, when you need to rip out a third of a story, it feels like you’re maiming it. But it’s amazing how much leaner a story can be when you’re ruthless about weeding out the fluff. Extraneous dialogue? Out. Long-winded descriptions? In the garbage. Unnecessary secondary character? Repurposed. The large-scale result was that every single person, place, or thing in The Brightest Thread absolutely had to be there. On a smaller scale, every word was chosen with purpose.

Writing with abandon: Writing that first draft was a beautiful experience. Sure, it had its ups and downs (especially later on during the editing stage!), but I was so in love with my characters and the world of Iror and Bauglind that spending time with them felt like a dream itself. Years down the road, I have a feeling I’ll look back on this story and say, “There. That’s when I really discovered my voice.” Because that’s what it felt like. The story was unapologetically me.

Conclusion?

Was The Brightest Thread perfect? Hardly. Even the expanded version of it I’m working on right now has its issues to be addressed. But the heart of the story, then and now, feels right. And to my surprise and delight, my dear Luci and Hadrian made it to the top ten in the contest! That news, plus the judge’s thoughtful feedback, was a confidence booster and served as confirmation that this is a tale worth pursuing. Plus, I have precious memories of sharing the journey of writing TBT with amazing beta readers once again.

image via Pinterest

Five Poisoned Apples – 2017/18

Rooglewood Press postponed the 2016 contest to the following year, so by the time Snow White was announced as the final theme, I was itching to enter again! For a long while, though, I wasn’t sure what to do with the Snow White tale. I was busy editing the novel version of TBT, and then I was busy starting business school, and my brain just didn’t have a lot of extra space to create a new story.

Eventually, however, Mirrors Never Lie unfolded–a look at what happens when a young woman is ensorcelled by a cursed mirror and puts her surrogate family of seven huntsmen in danger.

Blunders Made

Fragmented writing sessions: Being in college made writing a challenge. Rather than immerse myself in the story like I wanted to, I wrote in short snippets on weekends and evenings whenever homework wasn’t looming. That approach got the job done, but the downside was that I felt disconnected to Skadi, my main character, for quite some time.

Misconceptions: I was frustrated with the story and myself because Skadi’s outer journey seemed disjointed at first. Her goals take her in one direction for a while, and then she literally turns a 180 and runs off in the exact opposite direction. It wasn’t until I realized that Skadi’s inner journey formed a satisfying arc that I understood the story.

Lessons Learned

Three act structure: After pulling out my hair over cutting The Brightest Thread down to size, I was determined not to make the same mistakes with Mirrors Never Lie. Thankfully, K.M. Weiland wrote a helpful article over on Helping Writers Become Authors that explained how to break down the three act structure in a way that allows you to calculate your story’s length . . . before you ever write a word of it. I used this structure to plot my novella and I think it worked! I barely strayed over the word limit, and having signposts to guide my way helped me write even when I felt disconnected.

No matter how terrible a first draft is, there’s always editing: You know what I found? The story wasn’t nearly as bad as I first thought it was. There was plenty to edit, but when I looked back over my first draft, I found enough to love. Enough diamond under all the rock to encourage the refining process.

Conclusion?

I love Mirrors Never Lie the way I love memories of scraped knees and stumbles. There is a rawness in that story that makes me flinch–a combination of self-doubt about the writing quality and my own vulnerability laced through the story’s theme. Yet something good came out of that experience. Skadi may not be my favorite protagonist ever. But maybe that’s because she embodies a part of myself that isn’t my favorite, and maybe that’s a good thing.

I don’t know what the results of Five Poisoned Apples will be. It’s bittersweet, knowing this is the last contest. I hope to see familiar names on the cover in fifteen days when the announcement is made on April 2nd!* Whatever happens, I can’t wait to read the winning stories!

*I hear tell of an early announcement on Rooglewood’s private Facebook page for the contest (March 31st), but since I don’t have Facebook, I likely won’t hear anything until the official news is posted.

image via Pinterest

Was it Worthwhile?

Was it worth it to spend so much time writing fairy tale novellas when I could have been focusing on my longer works-in-progress?

Yes! It absolutely was. I’m a firm believer in no writing being a waste. I learned something in each contest.

How to write faster.

How to edit with purpose.

How to share my stories with others.

How to write from the heart.

How to write past doubt.

Not to mention these four opportunities to send my writing out into the world! Hitting send is hard. Waiting is hard. Not knowing is hard. But every time it gets a wee bit easier. And I can say with confidence that the motivation the Rooglewood contests provided have made me a stronger writer.

Whew, you made it to the end! Perhaps I should’ve taken my own advice and cut this post shorter, but I really wanted to share these lessons–almost like a tribute to the opportunities Rooglewood Press has provided. How about you? Have you entered a contest in your field of creativity before? What’s something you’ve learned? (And are you counting down the days until April 2nd as well?!)

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The Comp Title Challenge

Tracey Dyck 24 Comments

Brains are busy places, you know. Many things go humming through them, here and there, to and fro, and so it stands to reason that occasionally brains suffer traffic jams. And sometimes brains with too many thoughts to think don’t have room to squeeze in one more, and so, occasionally, at times, now and then, it is necessary to choose a simple topic to blog about.

 

Which is my roundabout way of saying that my pal Madeline J. Rose @ Short and Snappy invented another tag this week! And because my brain is busy sorting out some traffic jams, this tag is just the thing to make sure Adventure Awaits doesn’t sit cold and forgotten today.

 

introducing the comp title challenge

 

What is a comp title, you ask? It’s short for comparison title–you know, when authors, reviewers, and moviemakers throw other names around to try to describe their own creations. Here are some of Madeline’s tips for comp titles (paraphrased):

 
  • Think about the genre of your story. Where and when does it take place?
  • You don’t have to use the biggest names out there–in fact, it might be better if you don’t.
  • Don’t worry about describing your story perfectly. If you find something that you think describes it well, then great, but don’t stress it. It’s just a general idea.
 

And the challenge’s guidelines:

  • Pick a few (or all!) of your WIPS!
  • Give them some comp titles!
  • Tag a few peoples if you wish!
  • Have fun!

(All following pictures via Pinterest.)

NOVELS

The Brightest Thread // Tales of Goldstone Wood meets Diana Wynne Jones meets the Auralia Thread


Tales of Goldstone Wood series by Anne Elisabeth Stengl: rich fantasy world and lyrical writing style. The latest book, Golden Daughter, works particularly well as a comp title because of the dream world stuff. Diana Wynne Jones: the bits of humor (I’ve only read Howl’s Moving Castle, but still). The Auralia Thread series by Jeffrey Overstreet: the allegory and some of the political subplots.

The Prophet’s Quest // Raising Dragons meets Narnia meets The Door Within

So this was my first novel ever, and thinking up comp titles was incredibly easy since my work was heavily influenced by a few certain books. Raising Dragons by Bryan Davis: his human/dragon offspring characters are a lot like my characters turning into dragons. Narnia: hello, new fantasy world! The Door Within by Wayne Thomas Batson: my Captain Dauntless (in charge of the dragon army) sounds an awful lot like Captain Valithor, a general who likes to SHOUT INSULTS IN ALL CAPS.

The Prophet’s Key // Narnia meets Mission Impossible meets Storm Siren meets the Dragonkeeper Chronicles

Yes, I am aware that sounds like a strange combination. Narnia: again, there is a world besides our own. Mission Impossible: only because there are chase scenes in various parts of our world, not because of any spy missions or gadgetry. Storm Siren by Mary Weber: elementals. And the Dragonkeeper Chronicles by Donita K. Paul: because Wizard Fenworth was a big inspiration for my crazy wind Shifter named Wimwhile.

NOVELLAS

Mirrors Never Lie // How to Train Your Dragon meets A Time to Die

HTTYD (the movie): Viking/Norse elements. A Time to Die by Nadine Brandes: solely for the intensity of the main character’s inner journey. I suppose I could throw Snow White in there with the other titles, but being a Snow White retelling, that should be obvious.

Blood Rose // Illusionarium meets . . . something medical?


Illusionarium by Heather Dixon: No steampunkiness here, but the plague in that book reminds me ever so slightly of the medical aspect of my story. I really can’t think of any comp titles that fit this Beauty and the Beast retelling. It’s modern day, takes place solely between two characters in a mansion in the woods, and has a light touch of sci-fi/fantasy/something. If songs work as comp titles, I would readily say Salvation by Skillet!

The Glass Girl // Gail Carson Levine meets Dragon Slippers

For this Cinderella retelling, I’m not entirely happy with these comp titles either. Gail Carson Levine: simple, sweet fairy tales. Dragon Slippers by Jessica Day George: something about the medieval city setting reminds me of my story.

UNWRITTEN

Welcome to Absurdity // Eyes Wide Open meets The Dark Unwinding meets Miss Peregrine’s Home for Peculiar Children


You guys have no idea how excited I am to start this novel one day! The idea has been stewing in my head for years. Eyes Wide Open by Ted Dekker: unsuspecting allegory and a mental asylum. The Dark Unwinding by Sharon Cameron: the aesthetic. I don’t know how else to say it–it’s just the feel of the setting, despite being the wrong time era. Miss Peregrine’s Home for Peculiar Children by Ransom Riggs: unusual characters and creepiness. (Man, I really want to start writing this someday soon . . .)

Untitled // Indiana Jones meets Ranger’s Apprentice


Indiana Jones: artefacts and tombs and traps. Ranger’s Apprentice series by John Flanagan: good ol’ high fantasy and weapons and rollicking adventures. I just really feel like a fantasy Indy would be a ton of fun to write about.

Well, that was fun! And good practice for future querying as well. I think we can conclude that I have a hard time sticking to the traditional two comp titles per story! What about you, if you write? How would you compare your work-in-progress story? Do any of these tales pique your interest? And if you like, consider yourself tagged!

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First Lines (Part 2)

Tracey Dyck 20 Comments

Back in January, I posted a collection of opening lines from various stories (in various stages of completion), but didn’t have room to include them all. So we’re back for round two!*


*Sorry, no graphics today. I barely had time to get the post itself ready, and it was already mostly prepared. XD

Legend tells of a great treasure deep in the heart of the Fortress of Eternal Winter, a treasure so valuable that the one worthy enough to find it should experience ecstasy beyond belief. And not only that, but they should find themselves with a life longer than any other. It was this prize the noble knight sought, and already it had cost him dearly . . .

[The Fortress of Eternal Winter, short story (a parody), complete]

***

The little girl shuffled through the dew-spangled grass, blinking sleep from her eyes. Just ahead, a man sat on a rock at the edge of the overhang.

He swivelled and gave her a soft smile. “Good morning, little one.”

She smiled back, though muzzily from morning drowsiness. “Morning.” She reached his side.

The man picked her up and set her on his lap. The two sat quietly for a time. Nothing was said, for the dawn spoke eloquently enough for them both. A burning red sliver of sun had already appeared along the horizon, and birds were testing their singing voices, and far, far away, the ocean surf sighed.

[This is the Day, flash fiction, complete]

***

“Merry Christmas, Hannah.” Lisa Kehler leaned down so the elderly, bedridden woman could hear her and gently squeezed the fragile hand.

[Tired of Doing Good, short story, complete]

***

Vannon paused, ice-encrusted shovel poised above a snowy drift. The air tingled with a barely perceptible whine, just at the edge of the ear’s range. He cocked his head and concentrated on the sound. His breath-clouds came slower; the dull roar of rushing blood slowed. At a glance, one would think him a statue: furry mantle frozen in thick tufts, short beard spangled with chilled drops of moisture, and rabbit-hide gloves wrapped tightly around his shovel’s wooden shaft.

There–there it was again. A faint drone, like the blur of insect wings. Vannon’s eyes slid to the southward mountains, a shattered spine of rock wracking the azure sky.

[untitled, unfinished]

***

I have one green eye and one brown eye. The green eye sees truth, but the brown eye sees much, much more. With it, I can perceive things no one else can. You make think this is a wonderful gift, but I assure you, it is a curse.

[untitled, writing exercise]

***

“Arctic, I already told you there was to be no snowfall practice in your room!” The voice, although muffled, demanded immediate attention.

Arctic winced and cracked her door open. A rivulet of water trickled past her foot and toward the stairs. “Sorry, mother.”

[untitled, writing exercise]

***

Pheori’s bare feet padded softly down the marble floor of the Emperor’s treasure hall. He rolled his eyes toward the vaulted ceiling and tried to pay attention to Emperor Cho’s happy prattling. But his legs ached to run somewhere and his lungs desired the hot desert oxygen.

[untitled, unfinished]

***

The glare of the August sun threw glints across the lake. Madison Paratore shielded her eyes with a hand. A sigh warmed her lips. “It’s the last hoorah, you guys.”

[untitled, unfinished]

***

“So Kendrick, are you going to fix it or what?”

“It doesn’t need fixing, Trapper.”

“Doesn’t need . . .? Kendrick! Look at it! It’s torn in the corners, covered in debris, and so bright a Flat-Raider could see it miles away.”

[untitled, writing exercise]

***

I slouch on the barstool and loop my fingers through the lacy yarn. It’s red and orange and burgundy, like the trees I see through the kitchen window.

“Are your parents coming back this evening?” Aunt Bailey asks. Her knitting needles click against each other and the half-made scarf drapes over her lap like a fluffy python.

[untitled, writing exercise]

***

Lyric reached the top of the stone steps built into the side of the hill. His tired legs were not nearly as heavy as his heart. Sharp wind slapped his face, tugged his long hair, pressed his cloak against his ribcage. “Talon,” he said, but a gust of air snatched away the name. He tried again, louder this time. “Talon?”

[untitled, writing exercise]

***

All was silent at the train station. A crumpled piece of trash blew past three pairs of feet at a bench–a pair of thick-soled black boots, two mismatched loafers, and red sneakers. One of these sneakers jiggled up and down very fast.

The owner of the red sneakers, Owen, sighed and looked at his watch. 5:13. The train was late.

[untitled, writing exercise]

***

I sit up with a start, blinking in the light shining over my desk. Had I fallen asleep? I rub my eyes and look around my bedroom. Everything looks the same as it always has. The clock shows 1:47 p.m. in glaring red letters.

[Rewritten, flash fiction, complete]

***

“Let’s go over this again.” Dr. Teagan propped his elbows on the desk and leaned forward. “I know we’ve discussed your experiences several times, but it would help with my diagnosis if we took another look at things. Is that all right with you?”
Josiah took a deep breath to quell the familiar heat churning in his belly. You’ve practically diagnosed me already. Why rehash it? But aloud he muttered, “Fine.”

[The Prophet’s Key, novel, unfinished]

***

The little flame throbbed, illuminating
Father’s hands as they worked. The glass rod he held with a metal tool drooped
over like a strand of freshly made taffy. He began fashioning one end. His
tweezers flashed in the firelight, slowly persuading the glass to take the form
he desired.

I watched over his
shoulder and held my breath. Magic required silence.


[The Glass Girl, novella, complete]

***



Tree branches scraped the sides of Emi’s car and leaves tinged in early-autumn gold fluttered at her windows. One hand on the wheel and the other fumbling with a roadmap, she squinted at the dirt lane, then back at the squiggly map lines.


“Way to go, Emi.” She blew air through her lips. “Lost.” Abandoning the incomprehensible map, she focused on the tire tracks ahead. On either side, the trees pressed in close and cast a network of evening shadows over her ’95 Dodge Spirit.


[Blood Rose, novella, complete]

***

Not
in centuries had the mountains rung with such gladness.


Aleida tilted her face toward the sun and smiled. The road winding
uphill was choked with people, nobles and countryfolk alike all traveling to
the castle for the celebration. Their lively chatter echoed against the crags.
[The Brightest Thread, novella-turning-into-a-novel, my current WIP, unfinished]

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